Deeper Filter Control With Massive Key Tracking in Massive is a great little tool for controlling your filters. Any goodwill attached to those brands rest with the brand owner. We get a lot of questions about the little yellow icons in the macro module. Stripped is a good example of that. You can get lost in all the tabs, or even in the sheer number of presets. Loopmasters do not have nor do they claim any association with or endorsement by these brands.
We are bunch of music lovers, and we like to create. He then assigns modulation to the dry wet of inserts 1 and 2 to get some nice movement to it. Loopmasters or its Suppliers do not accept any liability in relation to the content of the sample or the accuracy of the description. The above tutorial is by , an electronic music producer who has a great YouTube channel with some very in-depth tutorials on electronic music production, including sound design, workflow and much more. I think they step outside the box when it comes to using Massive. These will have very different effects on your sound depending on where you set them to be positioned in the routing tab.
Tip 7: Another useful function is the ability to create looped envelopes. We used Native Instruments Massive, Reactor, but I struggled with that. If I wanted something a little more trancey I would go for Nexus. Make sure the rate is manual, then you can fine tune the rate and the mod amount together. These days, we expect more from our preset banks. The course is presented in a series of online videos, with accompanying written notes and Massive presets to work to, as well as 100 additional Massive presets from Loopmasters.
The modulation oscillator makes Massive unique, and can be used to create more aggressive sounds. Join our comunity and become a real music producer. Come with us and become a professional musician. Our packs contains all the instructions you need to install. Over the past 8 years the first tutorial from us was July 2010! Don't miss out on this essential guide to synthesis and sound design for one of the most popular synths on the market today! Native instruments pulled out Razor v.
From choosing the right waveforms to voicing, effects and beyond, I'll show you how quick and easy it is to setup the right envelopes and devices to craft an incredibly versatile, foundation Trap bass sound to use in your music productions. There are some sounds you can't get with the synths, so we use the samples for those, but there's a lot we can do and we try to use the synths as much as possible. Making a Fat Bass Preset Gives a practical example of how to apply many of the techniques taught in order to produce a fat bass preset. If you have any doubt, feel free to comment it down below. Tip 8: Feedback is often overlooked in Massive.
After all of the synth sections have been explored, there are some lessons on preset making, combining all of the techniques into some practical examples to help students put everything into context. It can do everything for subtle grit to full on destroyed awesomeness. I've kind of rediscovered it. Tip 4: The insert effects in Massive are all about. The system works in a very simple way. It's a pretty diverse synth.
This is an all around great synth. Expression in a minimal framework. Also you have 100% guarantee that all files works perfect. Creating An 808-style Trap Bass In Massive Watch the full tutorial video above for a real-time walkthrough in creating a Trap bass in Massive - here are the main steps summarised: 1. Pitch cutoff and pan position are also very important controls related to the voicings of a sound in Massive. It can be great for bass work and leads.
Your bio on Bandcamp is the specs of a processor, but can you talk about what program or programs you use to make this music? Under the 'Voicing' tab, select 'Monorotate' and increase 'Unisono' from 1 to 3. Also provides a guide to the way signals can be routed through the filters, showing some examples of parallel and series setups. In the studio, I use Cubase, the Waves plug-ins. Pan position lengthens the separation of these voices. Then moves on to some other classic uses of envelope modulation, where filter frequency and oscillator pitch are manipulated. Thanks to its overwhelming array of wavetable oscillators, well-thought-out modulation options and bountiful filter and effects sections, it successfully bridges the gap between instantly gratifying virtual analogues and more complex and elaborate synths like Absynth. There are a couple extra bits of information hidden in there as well; like dealing with freeze files.
I spent sometime recently going back over all the tutorials and picked out 5 of the best in my opinion. In this tutorial I walk you through using the free Tape Stop vst. Effects and Routing Goes through all of the effects available on Massive, including a more comprehensive guide to the most popular ones. There are also a bunch of source files to you might want or need for this tutorial. Tip 10: Less is more! You can also choose whether you want the notes to be played simultaneously, one at a time, or one at a time with trills.
Gradually rotate the knob to the right, however, and it turns into a sawtooth. You can apply phase to one of the three oscillators. These include the chunky low-pass Daft presumably a tribute to French filter-wranglers Daft Punk , Scream an aggressive filter with a control for adjusting its distortion component , and a comb filter with feedback and damping controls. In this Vine video clip, Skrillex is making some sounds using Ableton and Native Instrument's Massive Synth. In the example, he Applies lots of reverb to a sound, with some pitch cutoff detuning, then use wavetable modulation. I'll open an instance of Massive. Whilst Massive probably has a tutorial for nearly everything you can do with it, there are some things that are rarely mentioned.